c.1452-1513.Italian painter. He collaborated with Perugino in 1481-2 in the Sistine Chapel, Rome, and quickly established his reputation as a painter of distinctive and picturesque decorative cycles. His most important commissions included the decoration (1492-4) of the Borgia Apartments in the Vatican Palace, Rome, for Pope Alexander VI and the large fresco cycle (1502-1507/8) in the library of Siena Cathedral, depicting the Life of Aeneas Silvius Piccolomini  Related Paintings of Bernardino Pinturicchio :. | The Immaculate one Concepcion | Attention | ogrupp, maine | Lady with Her Maidservant Holding a Letter | stort stilleben med rikt jakbyte |
Related Artists:
Veronese and Studio
b.Verona 1528 - d.Venice 1588
Giottino
1325-1370 Italian Giottino Gallery was an early Italian painter from Florence. His real name was Maso di Stefano or Tommaso di Stefano. Giottino's father was himself a celebrated painter; his naturalism earned him the appellation "Scimia della Natura" (Ape of Nature). He instructed his son, who applied himself with greater predilection to studying the works of the great Giotto. Since he formed his style on Giotto's works, Maso became known as Giottino. The frescoes in the chapel of San Silvestro in the Florentine Basilica of Santa Croce are attributed to Giottino; these represent the miracles of Pope St Sylvester as narrated in the "Golden Legend". A large number of other works have been attributed to Giottino including Apparition of the Virgin to St Bernard and a marble statue erected on the Florentine campanile.
Philipp Otto Runge
German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,